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This work belongs to the Scriptoglyphs series. Here, I have organized the signs into distinct registers, like levels of reading. At the top, the movement repeats itself, unfolds, almost methodically, in a series of figures that advance, hesitate, and… straighten up.
Further down, the rhythm changes. Forms rise, arms open, and the sign becomes more assertive, more collective. The base, denser and more chaotic, acts as a foundation of raw energy, a raw material upon which the gesture is inscribed.
What is at stake here is the transformation of the sign: from repeated writing to shared momentum, from individual tracing to a form of common presence, like a sentence that would end up being spoken by several voices.
𝗝𝗲𝗮𝗻-𝗝𝗮𝗰𝗾𝘂𝗲𝘀 𝗠𝗮𝗿𝗶𝗲, a polymorphic and passionate self-taught artist, has been developing his artistic language for over forty years in total freedom, outside of academic frameworks. After figurative beginnings influenced by Fauvism and Expressionism, his discovery of Chinese ink and Asian avant-garde calligraphy acted as a trigger that steered him towards a gestural, instinctive and emotional abstraction. His work always originates from an inner state: nothing is programmed, everything arises from movement and the sincerity of the gesture. In his works, strength and restraint intersect, matter flows freely, and energy seems to unfold. He seeks less to convey a message than to let the painting touch directly, without words, through the intensity of its presence.
"The thale blancè e tôvos plén de prômiese, c'e t n веносмоте Неносмотенотенотенотенотенотенотенототенототенотототенотототототототототототототототототототототототототототототототототро" 𝙚𝙭𝙥𝙡𝙤𝙧𝙚𝙧... »