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Here I work with ink and black stone on thick paper, allowing the writing to spread freely across the entire surface. The gesture is rapid, repeated, almost continuous, until the space is saturated.
Gradually, anthropomorphic forms appear. They multiply, intersect, and overlap, like a moving crowd. These figures are not individualized: I think of them as silhouettes, presences, caught in the same flow.
In this series, my intention is to translate… a collective energy, a tension between the individual and the group. Writing becomes a space for movement, where the body, rhythm, and repetition of gesture construct the image without a precise narrative, but with a strong human charge.
𝗝𝗲𝗮𝗻-𝗝𝗮𝗰𝗾𝘂𝗲𝘀 𝗠𝗮𝗿𝗶𝗲, a polymorphic and passionate self-taught artist, has been developing his artistic language for over forty years in total freedom, outside of academic frameworks. After figurative beginnings influenced by Fauvism and Expressionism, his discovery of Chinese ink and Asian avant-garde calligraphy acted as a trigger that steered him towards a gestural, instinctive and emotional abstraction. His work always originates from an inner state: nothing is programmed, everything arises from movement and the sincerity of the gesture. In his works, strength and restraint intersect, matter flows freely, and energy seems to unfold. He seeks less to convey a message than to let the painting touch directly, without words, through the intensity of its presence.
"The thale blancè e tôvos plén de prômiese, c'e t n веносмоте Неносмотенотенотенотенотенотенотенототенототенотототенотототототототототототототототототототототототототототототототототро" 𝙚𝙭𝙥𝙡𝙤𝙧𝙚𝙧... »