Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Medium :
Giclée print on Paper , Cardboard under plexiglas
Framing :
Framed
Dimensions :
33.5x37.4in
Edition :
9 / 10
Artist's proof :
10
About this artwork
In this piece, I poured raw emotion into layers of color and texture, inviting you to feel the chaotic beauty of life's moments. The abstract forms merge and clash, expressing a vibrant energy that inspires curiosity and reflection. This print will bring dynamic movement and thoughtful complexity to your space, sparking imagination and a sense of endless possibility.
John Kingerlee, a self-taught painter from Ireland, crafts his own paints and draws on life in wild corners of Ireland. His style dynamically blends abstraction and landscape, dissolving boundaries between figuration and imagination with gestural techniques rooted in expressive, intuitive exploration. His paintings evoke a sense of wonder, inviting viewers to lose themselves in the miracle of seeing and being, capturing the meditative joy and unpredictability of creative chance. William Zimmer NY Times art critic for 25 years wrote a major essay on John Kingerlee's Head paintings. He wrote "they are portraits of The Everyman...they are compelling because they are at once spectral and obdurate, winsome stoic and expectant...they emanate from their surroundings: rough, built-up painted surfaces that resonate with the rugged landscape on the Beara Peninsula in west Cork Ireland. In the end persistence makes Kingerlees heads heroic.