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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
25.6x21.3in
About this artwork
While many have heard of the tale of Medusa, and even of her sisters the two other Gorgons, none have heard of the fourth Gorgon, a girl by the name of Serpemila.
This girl was the daughter of Dionysus and a priestess from the temple of Athena, who turned out to have the blood of an ancient Phoenician cast of snake priests running through her veins.
When the mystical blood mixed with the divine life force, a strange yet beautiful serpentine girl… was born.
When he lay eyes on the girl, Dionysus instantly felt a keen warmth towards the child, and fearing the other gods would see his daughter as the other Gorgons due to her appearance, and harm her, chose to hide her away high up on the top of the cuprum mountain.
This is where her story begins, and She would later go on to do marvellous deeds worthy of legend, but that however, is a story for another day...
« The idea behind my art is to sculpt a persona onto the canvas, breathe life into her character and capture a fleeting glimpse of life, turning the spark of happiness into a flame of art. »
Lina Redford is a promising artist currently based in Spain. She started her artistic journey only few years ago, but already her work have been mentioned in one of the biggest German magazine - The Frankfurter Allgemeine Zeitung. Being a creative nomad Lina, over the past 8 years, lived in 5 countries, where she encountered different cultures, impactful people and inspiring scenery, that later became the stories of her artworks. While finishing her Master’s Degree Lina found guidance and inspiration at the studio of czech based artist - Lana Frey, where she worked and studied for two years. Lina is always looking for new possibilities and collaborations, one of those is work with recognised Belgian photographer - Eric Ceccarini. The Collaboration of the two artists made it to major art exhibitions and fairs, such as Art Basel in Miami. Lina works in the style of expressive figurativism, mainly with palette knives and thick layers of paint, to be able to “sculpt happiness”.