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In the ‘Storytelling Walls’ series, there is a particular focus on the poetry hidden in the images. The photographs are not simple representations of landscape or interiors; they are moments of time itself, captured in a kind of stillness. The “flat” landscape here is not just a physical space, but an echo of the past blending with the present. The faded colours in the photographs give a sense of transience, as if preserved in a time capsule that… invites us to ask the question: what remains, and why? What does impermanence tell us about the moments we ourselves may never have noticed?
In this work, you see how colours fade, how time seems to congeal. The carefully chosen controlled palettes give a sense of cohesion and calm, while at the same time evoking the idea of a time gap. The colours seem to have faded over the years, like a kind of ageing that brings a sense of mystery.
Mark De Roeck, shaped by decades of practice across graphic design, advertising, and photography in Flanders and Brussels, approaches the image as a quiet act of construction. Rooted in visual storytelling yet resistant to the obvious narrative, his work draws from the legacy of the New Topographic Movement, where landscapes are distilled, flattened, and reimagined. The familiar dissolves into compositions of planes and lines, hovering somewhere between document and painting. His images invite stillness—an attentive pause in which the overlooked and the ephemeral begin to surface.