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Mirela Fioresy
Brazil
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Artwork details
- Medium : Acrylic, Pen on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 27.6x35.4in
About this artwork
Currently reserved for an event in Berlin. The Subways series draws on the transportation systems of major metropolises, using subway lines as metaphors for collective mental structures. The underground becomes a space of transit and anonymity, where identities briefly intersect before dissolving into larger, unseen systems.
Dip pen lines express unstructured thought through repetition, hesitation, and interruption, resembling fragments of thinking… in motion. The works reflect the tension between individuality and mass experience within the city’s dense and accelerated rhythm.
Dip pen lines express unstructured thought through repetition, hesitation, and interruption, resembling fragments of thinking… in motion. The works reflect the tension between individuality and mass experience within the city’s dense and accelerated rhythm.
Mirela Fioresy
Brazil
Credentials
- Featured in gallery curations
- Works on commission
Currently on Germany for Exhibitions and an AIR. Artworks will be available online again from Aug-Sep.
As an artist, I am interested in the visible and invisible forces that shape individual and collective experience, particularly how environments, social systems, and belief structures influence perception, behavior, and forms of belonging. My work examines how these forces operate through what is shown and what remains hidden, and how divisions are constructed through fear, prejudice, and exclusion.
I approach my practice as an inquiry into tension: between visibility and concealment, separation and interconnectedness, surface and depth, detail and totality. Working across painting and mixed media, I experiment with the collision and combination of techniques and materials. Through processes of layering, interruption, and material testing, I explore transformation and shifts across media as ways of questioning how meaning is formed and destabilized.
As an artist, I am interested in the visible and invisible forces that shape individual and collective experience, particularly how environments, social systems, and belief structures influence perception, behavior, and forms of belonging. My work examines how these forces operate through what is shown and what remains hidden, and how divisions are constructed through fear, prejudice, and exclusion.
I approach my practice as an inquiry into tension: between visibility and concealment, separation and interconnectedness, surface and depth, detail and totality. Working across painting and mixed media, I experiment with the collision and combination of techniques and materials. Through processes of layering, interruption, and material testing, I explore transformation and shifts across media as ways of questioning how meaning is formed and destabilized.
