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Mirela Fioresy
Brazil
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Artwork details
- Medium : Acrylic, Oil on Canvas
- Other details : Unmounted artwork. Mounting and/or framing available on request.
- Dimensions : 27.6x19.7in
About this artwork
This artwork is currently in Berlin, reserved for a solo exhibition that will take place in June/2026.
Time for Help Series: In this series, I portray children from orphanages in Vietnam and Nepal, re-imagining their stories through compositions that balance absence and presence. I work with a unique combination of oil paint and liquid acrylic, bringing both density and fluidity into the same work.
The white spaces speak to the gaps they are born… with, the absences that mark their beginnings in an orphanage, while also suggesting what could have been, and what can still be. The potential that life carries is always there, even when it starts with loss. The bright, vibrant colors represent the future: the hope, happiness, and light each child carries within. Where there is love, there is always hope.
Time for Help Series: In this series, I portray children from orphanages in Vietnam and Nepal, re-imagining their stories through compositions that balance absence and presence. I work with a unique combination of oil paint and liquid acrylic, bringing both density and fluidity into the same work.
The white spaces speak to the gaps they are born… with, the absences that mark their beginnings in an orphanage, while also suggesting what could have been, and what can still be. The potential that life carries is always there, even when it starts with loss. The bright, vibrant colors represent the future: the hope, happiness, and light each child carries within. Where there is love, there is always hope.
Mirela Fioresy
Brazil
Credentials
- Featured in gallery curations
- Works on commission
Currently on Germany for Exhibitions and an AIR. Artworks will be available online again from Aug-Sep.
As an artist, I am interested in the visible and invisible forces that shape individual and collective experience, particularly how environments, social systems, and belief structures influence perception, behavior, and forms of belonging. My work examines how these forces operate through what is shown and what remains hidden, and how divisions are constructed through fear, prejudice, and exclusion.
I approach my practice as an inquiry into tension: between visibility and concealment, separation and interconnectedness, surface and depth, detail and totality. Working across painting and mixed media, I experiment with the collision and combination of techniques and materials. Through processes of layering, interruption, and material testing, I explore transformation and shifts across media as ways of questioning how meaning is formed and destabilized.
As an artist, I am interested in the visible and invisible forces that shape individual and collective experience, particularly how environments, social systems, and belief structures influence perception, behavior, and forms of belonging. My work examines how these forces operate through what is shown and what remains hidden, and how divisions are constructed through fear, prejudice, and exclusion.
I approach my practice as an inquiry into tension: between visibility and concealment, separation and interconnectedness, surface and depth, detail and totality. Working across painting and mixed media, I experiment with the collision and combination of techniques and materials. Through processes of layering, interruption, and material testing, I explore transformation and shifts across media as ways of questioning how meaning is formed and destabilized.
