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Dans cette série, j’ai assemblé des triangles sur une trame orthogonale. Il y a ainsi une « union » entre construction rectangulaire et triangulaire.
Je débute en plaçant 2 diagonales partant des 2 angles du papier. Ces diagonales ne se limitent pas au cadre donné par le papier mais peuvent être imaginées comme continuant à l’infini.
Ensuite, je dessine plusieurs rectangles concentriques qui prennent place entre ces diagonales. J’obtiens ainsi une… construction symétrique qui comprend rectangles et triangles.
Au centre se trouve une figure que je considère comme l’origine de la trame orthogonale.
Sur cette trame j’aligne des triangles sur les diagonales et/ou sur les rectangles pour former un ensemble harmonieux. La couleur appliquée aux triangles crée des relations entre eux.
J’obtiens ainsi davantage qu’une juxtaposition de formes mais crée une construction dans laquelle ces formes sont unifiées à une réalité supérieure représentée par les diagonales ou la figure centrale.
Robert Jucker, a passionate self-taught painter, works with acrylic paint on wood panels or paper, drawing on a solid background of artistic exploration and inspiration from masters such as Klee and Kandinsky. He favors geometric abstraction and hard-edge painting, constructing classical and structured compositions based on orthogonal grids and a rigorous search for balance, center, and color harmony. His works invite meditation, conveying above all a profound sense of inner peace, harmony, and sometimes a luminous exaltation.
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Noces de triangles et rectangles I
Robert Jucker
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