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I envisioned the concept as a "Fusuma," a picture, like a wall, equally viewable from both sides. Transparent enough to allow a view through, yet still dividing the space. I painted on the floor with a brush and sweeping strokes before mounting the sewn-together fabric onto an "embroidery frame" made from four roof battens. I simply wedged this between the floor and the ceiling's supporting beam. From then on, a second pair of hands had to help (a… stroke of luck!), resulting in just over 300 hours of hand stitching. The drawing emerged stitch by stitch with threads that I continuously combined, much like mixing gouache or layering pencil strokes. One hand to "draw," the other to indicate where I wanted the nails to reappear. In the upper section, another landscape appears when the lights are turned off, which I embroidered with fluorescent thread.
Ursula Waldburger utilizes painting, photography, drawing, and textile art, drawing on her diverse international background and studies in textile design at the Zurich School of Design. Her work combines dynamic freehand strokes, extensive material experimentation, and her profound expertise in textile technology; she often works on a large scale and creates new contexts by repurposing earlier pieces. Her art reflects themes such as transience, decay, and the forces of nature, inviting viewers to pause and embark on a quiet, deeply emotional exploration.