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Veronika Sarma
France
Artist highlights
- Works on commission
Discover the creation in interiors
Artwork details
- Medium : Acrylic on Canvas
- Other details : Artwork on wood. Ready to hang. Framing on request.
- Dimensions : 39.8x29.9in
About this artwork
Inspired by the luminous, multicultural, and vibrant city of Dubai, this artwork places a majestic eye at its center, serving as the focal point of the composition. The eye resonates with the mystical symbolism of the legendary all-seeing eye – an emblem of protection against negative forces, a mirror reflecting beauty, and a gateway into the intricate and enchanting world of the Orient.
Surrounding the eye, the city’s dazzling architecture, diverse… cultures, and dynamic energy are subtly woven, creating a harmonious blend of modernity and ancient mystique. The piece celebrates both the spiritual and aesthetic richness of Dubai, inviting the viewer to witness a world where vigilance, beauty, and cultural depth converge.
Surrounding the eye, the city’s dazzling architecture, diverse… cultures, and dynamic energy are subtly woven, creating a harmonious blend of modernity and ancient mystique. The piece celebrates both the spiritual and aesthetic richness of Dubai, inviting the viewer to witness a world where vigilance, beauty, and cultural depth converge.
Veronika Sarma
France
Credentials
- Works on commission
Veronika Sarma is a painter whose self-directed journey through European art history, combined with her academic foundation in psychology and anthropology, deeply informs her mixed media and acrylic creations. She masterfully blends abstraction, psychological symbolism, and avant-garde influences into spontaneous, rhythmic compositions that transcend academic conventions. Her dynamic technique channels the subconscious, drawing upon the spirits of Picasso, Miró, and Kandinsky. Every piece she creates is infused with the search for harmony and inner freedom, inviting viewers to experience the profound unity of human emotion and the universal creative pulse.
