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The paper collages are made from carefully selected materials: old stamps, scraps, newspaper clippings of people, animals and plants, combined with fragments of old paintings. The compositions are created purely from formal considerations, without any intention of telling a story. Each work is framed behind high-quality museum glass with a specially made passepartout, which emphasizes the fine and precise workmanship. Chance plays a central role:… what materials do I find, how can they be combined, and what results from this? This open, intuitive work leads to images that have a melancholic feel and give the viewer space for their own associations.
My art moves between painting, collage, object, and sculpture. At its core is a process-oriented approach, driven not by planning but by the process of creation itself. Materials such as oil, shellac, epoxy resin, metal leaf, paper fragments, or fabrics react with one another, forming layers in which the unexpected emerges.
I am interested in the fragmentary, the provisional, the possible. My works are open states in which meaning is not fixed, but emerges in the viewer's perception. Whether abstract or figurative: each work is a snapshot of what takes shape in the world through me – a process of making visible, of transforming, and of trusting in the unplanned.