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In my work #128 I combine elements of surrealism with figurative and vintage components. Everyday objects such as leaves, stones and fragments of depictions are arranged into a new, harmonious composition. The work plays with the aesthetics of the ordinary and highlights the beauty of natural forms. The precise composition creates silent connections between material, structure and space.
My art moves between painting, collage, object, and sculpture. At its core is a process-oriented approach, driven not by planning but by the process of creation itself. Materials such as oil, shellac, epoxy resin, metal leaf, paper fragments, or fabrics react with one another, forming layers in which the unexpected emerges.
I am interested in the fragmentary, the provisional, the possible. My works are open states in which meaning is not fixed, but emerges in the viewer's perception. Whether abstract or figurative: each work is a snapshot of what takes shape in the world through me – a process of making visible, of transforming, and of trusting in the unplanned.