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En Blue Drift sigo explorando mi lenguaje de bloques y tensiones, pero aquí dejo que el azul tome el mando. Hay una deriva, un desplazamiento silencioso entre tonos fríos que se empujan, se equilibran y buscan su propio peso dentro del cuadro. Las líneas negras funcionan como vértebras: sostienen, separan y a la vez permiten que cada plano respire.
Me interesa cómo la pieza oscila entre orden y movimiento. No es un mosaico rígido, sino un paisaje… abstracto que se inclina, se estira y se abre paso como si las formas estuvieran en plena evolución. Los azules —profundos, lechosos, turquesas— construyen una atmósfera fresca, casi acuática, donde la luz se desliza de un bloque a otro.
Este cuadro es una deriva calma, un desplazamiento suave dentro del color. Un lugar donde las formas no se imponen: simplemente fluyen.
David Albert (Spain, 1975) is a contemporary painter based in Catalonia. The Mediterranean, the Ebro Delta, and the mineral light of the coast are his permanent workspace.
His current practice is articulated in three series: Mirages —landscapes of memory constructed by glazes, sanding and impasto—, Géométries en Calme —where geometry learns to be silent— and Architecture of Silence, a vertical exploration of structure as a chromatic score.
She works in acrylic on canvas, in formats between 50×50 and 150×150 cm. Her palette—deep turquoises, oxidized ochres, titanium whites, bituminous blacks—translates her Mediterranean origin into a material and contained language, where color is not applied: it is discovered.
Her work has been exhibited at international art fairs (Art3F Bordeaux, Luxembourg, Barcelona, Milan) and in galleries such as Van Gogh Madrid and Petit Atelier Lleida. Her work is included in Singulart's curatorial selections due to its technical and material coherence.