Nicolas Lespagnol

My latest series "Envers" is an almost infinite source of creation. I have noticed that large spaces of nature turned upside down become the place of new landscapes to which I add characters that create stories that collide. The brain is malleable and transforms the sky into a sea. The surface becomes a painter's painting from before the discovery of perspective where painters filled every corner of remaining space, without any hint of perspective not yet known.

I also like the opposites in the series "Opposites Are True".
The gaze zaps, compares, searches, and ends up no longer being able to focus. Thus, reality, already barely graspable, flees definitively, even though it is clearly presented to the viewer without embellishment. Reality is contradicted by its opposite, which is placed at an equivalent level.