Sea
Acrylic, Pigments on Paper
21x13in
$560
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Alain CHURLAUD
France
Artist highlights
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Alain CHURLAUD
Artwork details
- Medium : Acrylic, Sand on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 31.5x23.6in
About this artwork
The street in the dark
You can hear Venice
You can hear life
You can hear water and wind
But you don't see much
"In the streets, from seven o'clock in the evening, the streetlights give off small round glows that cast no reflections around them: warm in color, and scattered at different heights, they are, on the lively streets, like little nativity lights."
Venetian notebook: Liliana Magrini
Some streets are lit only by a few streetlights.…
You can see the outline of the road, maybe
not much more.
Black in satin and brilliant is used to give the
shapes of the street. It appears as a frame in
the frame
Since we can't see everything, we have to
imagine even more of what's happening.
You can hear Venice
You can hear life
You can hear water and wind
But you don't see much
"In the streets, from seven o'clock in the evening, the streetlights give off small round glows that cast no reflections around them: warm in color, and scattered at different heights, they are, on the lively streets, like little nativity lights."
Venetian notebook: Liliana Magrini
Some streets are lit only by a few streetlights.…
You can see the outline of the road, maybe
not much more.
Black in satin and brilliant is used to give the
shapes of the street. It appears as a frame in
the frame
Since we can't see everything, we have to
imagine even more of what's happening.
Alain CHURLAUD
France
Credentials
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Coming from a family of artists, Alain Churlaud excels in a variety of media, including oil and acrylic. Inspired by nature, this expressive artist uses distinctive techniques such as the palette knife, brush, roller, sand, and sawdust to create a unique, natural texture. His abstract works, which often hold personal meaning for him, offer a fresh perspective on reality and invite contemplation and appreciation of the present moment.
In his work, color acts like a breath, expanding and contracting in the light to evoke sensations and a series of geometric or organic forms. The constructed surfaces are never merely decorative; they are sensory spaces that retain the memory of gesture and time. He has forged a language that prioritizes sincerity over perfection, giving imperfection its own silent resonance. They invite a slow gaze and an intimate silence.
In his work, color acts like a breath, expanding and contracting in the light to evoke sensations and a series of geometric or organic forms. The constructed surfaces are never merely decorative; they are sensory spaces that retain the memory of gesture and time. He has forged a language that prioritizes sincerity over perfection, giving imperfection its own silent resonance. They invite a slow gaze and an intimate silence.
