In your thoughts (n.717) - Dot Art Series
Acrylic, Resin on Wood
20x16in
$2,410
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Alessio Mazzarulli
Italy
Artist highlights
- International Exposure
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Alessio Mazzarulli
Artwork details
- Medium : Acrylic, Resin on Wood
- Other details : Artwork on wood. Artwork framed.
- Dimensions : 30.1x22.2in
About this artwork
This artwork is third work published in the new Dot Art series.
It was created by coloring 759 (23x33) small colored wooden discs.
The composition, created using an orderly grid, evokes modern pointillism and a textured version of pixel art.
The use of color is very balanced: the warm, earthy tones (orange, ochre, brown) that define the facial features emerge vibrantly against the cool, soothing turquoise of the background and lower section.
…
The result is a portrait that not only represents, but suggests: each element seems to convey a nuance of identity, a fragment of thought.
A work that invites the gaze to linger, to decipher, to feel.
It was created by coloring 759 (23x33) small colored wooden discs.
The composition, created using an orderly grid, evokes modern pointillism and a textured version of pixel art.
The use of color is very balanced: the warm, earthy tones (orange, ochre, brown) that define the facial features emerge vibrantly against the cool, soothing turquoise of the background and lower section.
…
The result is a portrait that not only represents, but suggests: each element seems to convey a nuance of identity, a fragment of thought.
A work that invites the gaze to linger, to decipher, to feel.
Alessio Mazzarulli
Italy
Credentials
- International Exposure
- Favorited by galleries
- Featured in gallery curations
- Works on commission
« Art serves to remember, to leave a testimony of our existence. »
Alessio Mazzarulli transforms everyday materials into a reflection on time and perception.
After his debut in clay modeling, he transferred his three-dimensional sensitivity to material painting, where relief and tactility become central.
He uses fragments of recycled paper, rescuing traces of everyday life from oblivion, and with acrylics and resins he “freezes” time in deliberately distorted images, composed of fragmentary elements that invite an overall vision.
In the “Dot Art” series, he uses small wooden discs to explore the voids of memory: the spaces between the elements evoke what is lost and push the observer to reconstruct the image, creating a dialogue between reality and perception in which time is experienced through erosion and visual recomposition.
After his debut in clay modeling, he transferred his three-dimensional sensitivity to material painting, where relief and tactility become central.
He uses fragments of recycled paper, rescuing traces of everyday life from oblivion, and with acrylics and resins he “freezes” time in deliberately distorted images, composed of fragmentary elements that invite an overall vision.
In the “Dot Art” series, he uses small wooden discs to explore the voids of memory: the spaces between the elements evoke what is lost and push the observer to reconstruct the image, creating a dialogue between reality and perception in which time is experienced through erosion and visual recomposition.
