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The title of this abstract painting comes from a Keats poem called To Autumn and since I fall in love afresh with autumn each year, this resonates. The sense of abundance, precious warmth and light, are the inspiration for this glowing, lyrical piece. It is painted using multiple glazes of transparent paint - this is what gives the work is luminosity - the sense of autumn leaves glowing in the sunshine. I reworked it in 2025 using liquid transparent… oil paint. This adds further depth and texture and the contrast of a glossy finish with the rest which is satiny.
It painted on BK Rives vellum paper 300gm which was then professionally mounted on birchwood panel. Finally it was dropped into a pale natural wood shadow frame which was limed and waxed. The framed sized is 69 x 54 x 3cm .
« My works are reduced inner landscapes that invite the viewer to interpret the mood or atmosphere, whether calm, meditative, melancholy, playful, or joyous. »
Alethea Eriksson is a South African–Swiss artist based in Baden, Switzerland. Her lyrical expressionist paintings have been presented in both solo and group exhibitions across Switzerland, as well as at art fairs in Britain and Germany. She describes her abstract landscapes—what she calls “soulscapes”—as a form of visual poetry, expressing the sense of renewal and wellbeing she experiences in nature. Her work explores the mood and energy of landscapes, skies, the sea, and her own garden, while also engaging deeply with color, line, and form. Inspired by masters such as Monet and Cézanne, alongside Abstract Expressionists like Joan Mitchell and Cy Twombly, Eriksson creates compositions that invite the viewer to feel moved, uplifted, and immersed in a contemplative emotional space. Alethea Eriksson is a member of the Swiss Association of Women Artists.