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This work is one of a series in which I wanted to experiment with different shades of pink. This is a colour which I have a mixed relationship with, and so not surprisingly, I found it too pink and changed parts to yellow and then finally back to a peachy pink. The colours recall summer, but essentially it is a painting about shapes, colours and textures. It is positive, multilayered artwork with lots of subtle details. From a distance it is very… eye-catching.
The original work was on heavy artist's paper (300gm) which I mounted on birchwood as a support. I then carried on working on it , so really you cannot tell that it is a work on paper. It is framed in a pale wood shadow frame.
« My works are reduced inner landscapes that invite the viewer to interpret the mood or atmosphere, whether calm, meditative, melancholy, playful, or joyous. »
Alethea Eriksson is a South African–Swiss artist based in Baden, Switzerland. Her lyrical expressionist paintings have been presented in both solo and group exhibitions across Switzerland, as well as at art fairs in Britain and Germany. She describes her abstract landscapes—what she calls “soulscapes”—as a form of visual poetry, expressing the sense of renewal and wellbeing she experiences in nature. Her work explores the mood and energy of landscapes, skies, the sea, and her own garden, while also engaging deeply with color, line, and form. Inspired by masters such as Monet and Cézanne, alongside Abstract Expressionists like Joan Mitchell and Cy Twombly, Eriksson creates compositions that invite the viewer to feel moved, uplifted, and immersed in a contemplative emotional space. Alethea Eriksson is a member of the Swiss Association of Women Artists.