Für immer ist nichts ewig
Pencil, India Ink on Paper
20x20in
$2,300
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Andreas Noßmann
Germany
Related collection
Artworks Inspired by Plinio Martelli
104 pieces
Artist highlights
- Experienced Artist
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Andreas Noßmann
Artwork details
- Medium : Pencil, India Ink on Paper
- Framing : Framing on request
- Dimensions : 27.6x19.7in
About this artwork
It is indisputable that this drawing is ostensibly shaped by the cruelty of the crucifixion. Nevertheless, there is also something conciliatory in this striking work. The Roman soldier, "the" classic figure of shame, (already because of the thrust of the spear) when it comes to depicting the crucifixion of Christ, is positive here in the form that he is ashamed of it, since he knows that a good (innocent ) Man will die out of vengeance, when Mary…
Magdalene and the mourner accept the comforter.
The pictorial reversal of this often cited guilty figure is based on the biblical story in which Jesus, to the displeasure of his disciples, saves the house servant of a Roman centurion. After the convalescence of his servant Christ, he is connected to his crucifixion, he is deeply ashamed, moved and shows emotional solidarity with the mourners present. It is "Reconciliation" with the inevitable. ...
The pictorial reversal of this often cited guilty figure is based on the biblical story in which Jesus, to the displeasure of his disciples, saves the house servant of a Roman centurion. After the convalescence of his servant Christ, he is connected to his crucifixion, he is deeply ashamed, moved and shows emotional solidarity with the mourners present. It is "Reconciliation" with the inevitable. ...
Andreas Noßmann
Germany
Credentials
- Experienced Artist
- Featured in gallery curations
« Even in my early youth, I wanted to be a great artist. I don't know why. »
Andreas Noßmann is a draftsman based in Germany whose works have been exhibited nationally and in the Netherlands. Having always been fascinated by topics that touch or disturb, his artistic practice is also marked by his requirement for "a perfect graphic implementation". Noßmann's distinctive and diverse landscapes, portraits, and still-lifes are created with pastels, graphite, pencils, India ink, chalk, and charcoal on paper, canvas, or cardboard.
