Für immer ist nichts ewig
Pencil, India Ink on Paper
20x20in
$2,330
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Andreas Noßmann
Germany
Related collection
Artworks Inspired by Joachim Koester
372 pieces
Artist highlights
- Experienced Artist
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Andreas Noßmann
Artwork details
- Medium : Pencil, India Ink on Paper
- Framing : Framing on request
- Dimensions : 27.6x19.7in
About this artwork
In the 1985 Oliver Stone film, "Wall Street", the punter and protagonist of the film, Gordan Gecko, lamented at a shareholders' meeting: "Greed is good [...] greed is the engine of all action [...]". The question he asked himself at the end of the film - how many yachts he still intends to water-ski behind and when the measure of all things will actually be reached should already be answered here - it's all about the addiction to more and more, so…
only only for the "principle of the principle's sake", no matter how this is ultimately secured and for nothing else.
The moneylender and forerunner of the modern banker, referred to in the Middle Ages as a “usurer”, was considered a despicable sinner in the Catholic belief system of the time. The reason for this general ostracism at the time echoes again in “Wall Street”: the usurer, moneylender or speculator does not create any really socially relevant values. He provides capital and ...
The moneylender and forerunner of the modern banker, referred to in the Middle Ages as a “usurer”, was considered a despicable sinner in the Catholic belief system of the time. The reason for this general ostracism at the time echoes again in “Wall Street”: the usurer, moneylender or speculator does not create any really socially relevant values. He provides capital and ...
Andreas Noßmann
Germany
Credentials
- Experienced Artist
- Featured in gallery curations
« Even in my early youth, I wanted to be a great artist. I don't know why. »
Andreas Noßmann is a draftsman based in Germany whose works have been exhibited nationally and in the Netherlands. Having always been fascinated by topics that touch or disturb, his artistic practice is also marked by his requirement for "a perfect graphic implementation". Noßmann's distinctive and diverse landscapes, portraits, and still-lifes are created with pastels, graphite, pencils, India ink, chalk, and charcoal on paper, canvas, or cardboard.
