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Goethe was little impressed by Hoffmann's work and in his 1827 review he concluded: It is impossible to subject fairy tales of this kind to any criticism; [...] they are feverish dreams of an easily mobile sick brain. But other German writers expressed similar disapproval. In France, on the other hand, Hoffmann achieved the status of a classic soon after his death and has since been regarded as the pioneer of fantastic literature (or black romanticism),… as the first romantic to illuminate the "dark side" of human existence in all its radicality and poeticize it in narrative form. His knowledge of psychiatry, which he read up on or was passed on to him by doctor friends, served as a template and inspiration for him. Hoffmann's influences can thus be found above all in the French writers such as Victor Hugo, Charles Baudelaire, Guy de Maupassant, but also in the Russians Alexander Puschkin, Fyodor Dostoyevsky and even in ...
« Even in my early youth, I wanted to be a great artist. I don't know why. »
Andreas Noßmann is a draftsman based in Germany whose works have been exhibited nationally and in the Netherlands. Having always been fascinated by topics that touch or disturb, his artistic practice is also marked by his requirement for "a perfect graphic implementation". Noßmann's distinctive and diverse landscapes, portraits, and still-lifes are created with pastels, graphite, pencils, India ink, chalk, and charcoal on paper, canvas, or cardboard.