Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Limited edition of 10, print with hand-watercolored finishes by the artist, signed and numbered by the artist, delivered with certificate of authenticity.
Coquelicot inaugurates the Human–Non-human series and explores the link between human corporeality and plant forms. This philosophical text introduces a reflection on our world from the corporeal perspective and offers a new perspective on everyday objects. Corporeality, the sensuality of the… world, and the dualism between the sphere of the spirit and corporality are central themes found in this painting. The work questions the boundary between human and non-human, highlighting the intertwining and hybridity of entities, and offering a sensitive and phenomenological approach to the relationship between art, the body, and the living world.
Anna Sieradzka, visual artist, born in 1976 in Poland, lives and works in France. Graduated in painting from the Academy of Fine Arts in Warsaw, doctor in Intermedia (Academy of Fine Arts in Krakow) and in philosophy (University of Warsaw – thesis on the theory of the contemporary image). Her practice, informed by philosophical reflection, explores the relationship between matter, time, and process, questioning the boundaries between the human and the non-human. Materiality and corporeality are central to her work, conceived as essential components of existence. She combines various mediums—drawing, painting, video, photography, installation—and organic materials (hair, milk) that allow her to question definitions and reveal forms in perpetual evolution. Surfaces, cracks, spirals, folds—these are all structures that fascinate her, both in the human body and in the natural world.