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In this work, I explore the eternal conflict between the harmony of the human form and the "scourge" of existence. I employ my signature technique, Photomorphy: a hybrid where photography meets direct material intervention. I don't just take a picture; I violate the surface of the print by scratching it, creating a web of marks that symbolize time and the invisible wounds of the soul.
I chose to portray the subject from behind to universalize her,… stripping her of her identity to focus on her essence. The emotional core lies in the hands: tense, contracted, resembling roots or claws slicing through the air above the head. It's a pose of extreme tension, an ambiguous gesture somewhere between the desperation of someone seeking protection and the strength of someone trying to free themselves from an invisible burden. Through the abraded material, I express resilience: the beauty that not only survives, but is defined precisely by its scars.
Antonio Schiavano is a photographer and visual artist who explores the fragile boundary between identity and self-perception. After a solid experience in commercial photography with major international beauty and fashion brands, he has gradually shifted his gaze beyond the glossy image, developing an intimate and radical artistic research.
His works often originate from his photographs, which are physically transformed through scratches, abrasive materials, oils, and varnishes: a process that gives rise to the concept of Photomorphy, in which the act of destruction becomes a creative gesture, making each work unique and unrepeatable. Schiavano thus explores the tension between visible and invisible, real and fragmented, questioning the very idea of beauty and the value of appearance.
His technique uses light, matter, and composition as tools of perceptual investigation, transforming photographic language into a means of interior exploration and image deconstruction.