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The work portrays a black man alongside a white woman, constructing a symbolic narrative that reflects on the tensions between integration and cultural distance.
The use of black and white eliminates any chromatic distractions, amplifying the body language and a silent poetics of contrasts and tensions. The material interventions, following the principle of Photomorphy, transform the photograph into a living, layered, and wounded surface.
In… a present that simplifies identity into rigid categories, the work invites us to slow down our gaze and question the possibility of real reciprocity, suggesting that a new form of beauty and understanding can emerge precisely from the wound.
Antonio Schiavano is a photographer and visual artist who explores the fragile boundary between identity and self-perception. After a solid experience in commercial photography with major international beauty and fashion brands, he has gradually shifted his gaze beyond the glossy image, developing an intimate and radical artistic research.
His works often originate from his photographs, which are physically transformed through scratches, abrasive materials, oils, and varnishes: a process that gives rise to the concept of Photomorphy, in which the act of destruction becomes a creative gesture, making each work unique and unrepeatable. Schiavano thus explores the tension between visible and invisible, real and fragmented, questioning the very idea of beauty and the value of appearance.
His technique uses light, matter, and composition as tools of perceptual investigation, transforming photographic language into a means of interior exploration and image deconstruction.