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While beginning from the universal motif of the “flower,” this series shifts the perspective: each bloom is portrayed not as mere botanical beauty, but as an emergence of unseen forces and cosmic order. The interplay between the precision of geometric embroidery and the spontaneity of sumi ink creates a field where organic and inorganic, order and chaos, material and spiritual dimensions converge. These “flowers” are at once blossoms—and fragments… of the universe.
“Strange Flowers IV”
Within clouds of ink, the flower scatters into fragments, echoing the flutter of butterflies. Serpentine embroidered forms twist across the surface, resembling roots, snakes, or the unseen flow of energy. Fragility and strength, destruction and regeneration coexist in this uncanny yet enchanting garden.
Medium: Black natural silk thread, red, gold and silver threads, gold and silver leaf, sumi ink, gold and silver pigment, organic cotton, mounted on wooden panel
Asami Goto(五島アサミ) is a contemporary artist working along two axes: Nihonga (traditional Japanese painting) and her original technique of Geometric Embroidery + Sumi Ink Art.
Her Nihonga works are informed by the spiritual and aesthetic sensibilities of classical Japanese art, particularly Buddhist visual culture, capturing invisible atmospheres and subtle presences. Her textile-based works use organic cotton, natural silk threads, sumi ink, and gold and silver leaf to merge geometric order with the organic rhythms of nature, visualizing relationships between natural structures and living systems.
Goto has exhibited in France, the United States, Spain, and Japan, and elsewhere internationally. In 2023, she received an Excellence Award at an exhibition held at the National Art Center, Tokyo. She is a Member, Japan Artists Association (JAA), Registered Artist, International Association of Art (IAA) Official web — espace-createur.com