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This work is based on a link that is invisible and hidden from view.
While the front reveals a soft and organic meeting line, the real assembly takes place on the back, where the leathers are fully laced, held under tension, out of view.
The light leather, derived from ostrich, has a surface dotted with natural, almost breathable markings, while the chocolate brown leather retains darker traces, evidence of a past inscribed in the material.
The… cut has not been corrected or softened. It follows the contour as it was imposed, revealing the thickness, the edge, the truth of the material.
Between these two layers, the tension does not seek to disappear. It connects, supports and maintains the whole, in a fragile balance where memory and constraint remain perceptible.
Aurélie Pellat's practice lies at the intersection of design, visual arts research, and leatherwork. Using salvaged fragments (leather, textiles, paper, wood), she creates works where matter becomes a living surface, a repository of memory and tension. Influenced by geometric abstraction, minimalism, and Arte Povera, her approach explores the balance between formal rigor and organic vibration.
Preserving forms and marks, she allows a discreet beauty to emerge, revealing the trace of time and the energy contained in each fragment. Cuts, seams, and assemblages bring to light the gesture, poised between restraint and intensity. Her compositions open a space where fragility and resilience, presence and absence, coexist.
Her collages and wall sculptures question the persistence of materials and the memory of the hand, transforming the vestiges of everyday life into a sensitive and embodied abstraction.
Originally from the French Riviera, she lives and works in Paris.