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Barbara Berardicurti
Italy
Related collection
Face to face
16 pieces
Artist highlights
- Major permanent collection
- Art Fair Participant
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Artwork details
- Medium : Oil on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 19.7x19.7in
About this artwork
In my work, I have tried to capture not only the human form, but also the essence of resilience and inner serenity. Using oil as a medium, I have painted vivid details to convey a deep sense of calm and strength that the figure portrayed passes through. This work evokes a sense of deep reflection, inviting the viewer to contemplate the inner beauty and innate dignity of the individual. Each stroke is a hymn to human resilience, enveloping the viewer…
in an atmosphere of quiet and inspiration. Ndjock Ngana, a Cameroonian poet, in his verses contains the essence of the inner beauty of a difficult, harsh, wonderful land full of unparalleled peoples. One phrase above all contains the essence of this poem "Negra my warm voice of Africa Land of enigma and fruit of reason, Dance for the naked joy of your smile, For the offering of your breast and secret virtues ...... Dance for the vertigo, ........ idea of the Whole you are and voice of the Ancient..
Barbara Berardicurti
Italy
Credentials
- Major permanent collection
- Art Fair Participant
- Featured in gallery curations
- Works on commission
« Art sweeps our soul from the dust of everyday life. -Pablo Picasso »
Barbara Berardicurti is an artist based in Italy whose paintings have been exhibited nationally and in Russia. In addition, her art is featured in the permanent collection of the Museo di Olevano Romano in Italy. Inspired by her travels, especially in Africa, Berardicurti's distinctive landscapes and portaits reflect both her emotions, observations, and life experiences. While she most often creates with oils, she also employs watercolors, acrylics, dry pastels, etc.
