The structure of the painting is very important to Barbara, and in most of her recent series, she has, in a manner of speaking, allowed the bones of the painting—both compositionally and metaphorically, become the painting’s’ subject matter.
Georgia O’Keeffe, whose early 1940s series of pelvic bones enclosed spaces that later in the decade became forms themselves, she has found the areas of interest in her own landscape and floral abstractions to… be the atmospheric spaces between forms. She came to realize that the significance of her paintings was not in the forms, but in the spaces in between them.
This original acrylic painting is a four-part piece. Each piece is 36" x 36" and totals 72" x 72" Each piece is wired and will fit together when hung.
Georgia O’Keeffe, whose early 1940s series of pelvic bones enclosed spaces that later in the decade became forms themselves, she has found the areas of interest in her own landscape and floral abstractions to… be the atmospheric spaces between forms. She came to realize that the significance of her paintings was not in the forms, but in the spaces in between them.
This original acrylic painting is a four-part piece. Each piece is 36" x 36" and totals 72" x 72" Each piece is wired and will fit together when hung.
- Medium : Acrylic, Pen on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 72x72in
Barbara Krupp
United States
« I explore the interface between passion and the intellect, pulsing tissue and desiccated bone. »
Barbara Krupp is a talented American artist who first trained as an X-ray technician. Consequently interested in representations of bones, body parts, and atmospheric spaces between forms, she composes striking abstract paintings with color, optimism and plenty of artistic flesh.
Credentials
- International Exposure
- Experienced Artist
- Prizewinner
- Works on commission