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Stilla from the Upright series.
This sculpture is the largest work in the Upright series to date and marks a key point in the development of the series. The figure stands upright and minimalist – a silent, almost archetypal counterpart.
The deliberately raw, textured surface lends the body a fragile materiality that oscillates between vulnerability and presence. The head is partially concealed by a cylindrical form – a recurring motif in the series… that explores themes such as perception, identity, and inner closure.
The figure avoids direct eye contact, appearing both focused and introspective. A quiet tension lies in its posture: between protection and isolation, between childlike grace and sculptural rigor.
As the largest work in the series, it expands the physical space of the upright figures and enhances their physical and emotional presence.
Beate Bröcker's art deliberately addresses themes of social and personal vulnerability, coupled with a quiet yet impressive strength. Bröcker's works, particularly her female papier-mâché sculptures, address the tension between fragility, resilience, and quiet presence. With subtle sensitivity and a touch of humor, she invites viewers to confront their own and collective vulnerabilities and draw strength and courage from them for responsible action. She uses an abstract, minimalist, experimental approach; her works are often created from recycled packaging waste—a conscious political statement for sustainability and social responsibility. Her artworks are touching with their subtle presence and convey a quiet, courageous strength, inspiring reflection on social and personal vulnerability and positive change.