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Bernard Simunovic
Germany
Related collection
Artworks Inspired by Nicole Wittenberg
457 pieces
Artist highlights
- Acclaimed Artist
- International Exposure
- Residency Participant
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Bernard Simunovic
In diesem Werk verschmelze ich leuchtende Acrylfarben, um eine intensive Beziehung zwischen Formen und Linien zu schaffen. Meine Technik bewegt sich zwischen Semi-Abstraktion und Figuration, angehaucht von Expressionismus und Impressionismus. Ich erforsche die menschliche Verbindung und Emotion, wobei das Spiel von Licht und Farbe die Energie und Dynamik unseres Daseins unterstreicht. Dieses Gemälde bringt eine Fülle von Leben und einen Hauch von…
Rätsel in jeden Raum.
- Medium : Acrylic on Canvas
- Other details : Unmounted artwork. Mounting and/or framing available on request.
- Dimensions : 59.1x45.3in
Bernard Simunovic
Germany
« On the last night of our lives, we are asked about love. »
Bernard Šimunović works with the line — not because he chose it, but because it was always there.
His practice is rooted not in theory, but in craft. Long before the academy, he knew the point as a precise, irrevocable gesture — set into material, obligating toward what must not be forgotten. After studies in Sarajevo, interrupted by war in 1992, and their continuation in Bielefeld, his work moved through surrealist oil paintings, figurative reduction, and finally to Relational Lines.
In Relational Lines, the figure has not disappeared. It has become relationship. Two lines approaching, touching, missing each other. What becomes visible is not the body — but what arises and remains between two people.
Works held in the collections of Akademie Schloss Solitude Stuttgart, ZiF Universität Bielefeld, and The Hong Kong Jockey Club. Press: Capital, Manager Magazin, FOCUS, Stern, ICON, Vogue, IDEAT.
His practice is rooted not in theory, but in craft. Long before the academy, he knew the point as a precise, irrevocable gesture — set into material, obligating toward what must not be forgotten. After studies in Sarajevo, interrupted by war in 1992, and their continuation in Bielefeld, his work moved through surrealist oil paintings, figurative reduction, and finally to Relational Lines.
In Relational Lines, the figure has not disappeared. It has become relationship. Two lines approaching, touching, missing each other. What becomes visible is not the body — but what arises and remains between two people.
Works held in the collections of Akademie Schloss Solitude Stuttgart, ZiF Universität Bielefeld, and The Hong Kong Jockey Club. Press: Capital, Manager Magazin, FOCUS, Stern, ICON, Vogue, IDEAT.
Credentials
- Acclaimed Artist
- International Exposure
- Residency Participant
- Favorited by galleries
- Featured in gallery curations
- Works on commission
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