Discover the creation in interiors
Artwork details
- Medium : Giclée print on Paper
- Framing : Framing on request
- Dimensions : 10.6x7.9in
About this artwork
“What remains of the gods on earth? »
Society, a reflection of all the individuals who compose it, wavering between spiritualism exalting the spirit or materialism exalting matter, will it find balance only in the awakening and enchantment of each?
Explore yourself again and ask yourself again the question of "sensation", what Rudolph Otto calls the "Mysterium Tremendum" trembling of being in the face of "presence".
This Digital Art work is sold… in two copies: one print on paper, one in NFT format.
FineArt print on Hahnemühle Fine Art Baryta Satin 300g paper: high-end paper, the use of barium sulphate in the coating guarantees an exceptional lifespan. Size 20cm x 27cm. Comes with Certificate of Authenticity.
Society, a reflection of all the individuals who compose it, wavering between spiritualism exalting the spirit or materialism exalting matter, will it find balance only in the awakening and enchantment of each?
Explore yourself again and ask yourself again the question of "sensation", what Rudolph Otto calls the "Mysterium Tremendum" trembling of being in the face of "presence".
This Digital Art work is sold… in two copies: one print on paper, one in NFT format.
FineArt print on Hahnemühle Fine Art Baryta Satin 300g paper: high-end paper, the use of barium sulphate in the coating guarantees an exceptional lifespan. Size 20cm x 27cm. Comes with Certificate of Authenticity.
Bettina Eberhaerd
France
Credentials
- International Exposure
« Away from the hustle and bustle, another world, another reality, and the essence of a dialogue with the living. »
Bettina Eberhaerd is a self-taught visual artist, applying herself to drawing and painting before using photography and computer graphics. His images do not connect us to world news in its sensational, violent or eventful aspects. Away from such agitations, another world, another reality, the essence of a dialogue with the living. Subtlety, assumed banality of the subject, refined images... result of a plastic work put in place during the shooting, continued in the subsequent phases, which progressively sets aside references, discourse, installs a specific world in itself which is renewed from time to time. series in series. By manipulating, confronting materials, based on “falls”, “failures”, “forgotten”. The process becomes a game between my control and an open and permissive attitude towards the technique that the tool offers. Plastic approach without gratuity, demanding, reflection of a life path.