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“Work # 961 – The Kiss (Updated)” is an art history lesson of sorts. As a subject, kissing has been widely interpreted by the likes of (off the top of my head) Rene Magritte. Gustav Klimt, Pablo Picasso, Roy Lichtenstein, Constantine Brancusi, Andy Warhol, and Antonio Canova among many others. The only thing the subject has in common across the centuries is that it has been largely a heterosexual affair. Here the subject, printed on photo paper and… presented in a limited edition of ten copies, has been heavily pixelated almost beyond any recognition (and only comes to clarity if you are standing at a great distance). This is not about converting something that is wild and provocative (to some) into something that is conservative and mundane, it is about undermining still prevalent conservative outlooks when it comes to homosexual desire and visual culture.
Bruce Eves was the recipient of the Governor-General’s Award for Outstanding Achievement in the Visual and Media Arts in 2018 and was the subject of Peter Dudar’s feature-length documentary “Bruce Eves in Polari” that premiered at The Power Plant. Eves was ranked 26th on the Alt-Power100 list compiled by ArtLyst (UK). In the past he was assistant-programming director at the Centre for Experimental Art and Communication (CEAC) in the late 1970s; and throughout the 1980s was the co-founder and chief archivist of the International Gay History Archive (now housed in the Rare Book and Manuscript division of the New York Public Library). Eves continues an active practice of exhibiting and curating on the cutting-edge, and in recent years has pushed the envelope further by expanding his work to include spoken-word projects performed monthly at the Black Eagle bar’s Dirty Queer Poetry Nights. Eves lives and works in Toronto and seeks representation. His CV can be viewed at www.bruceeves.net