terabithia
Acrylic, Graphite on Canvas
61x61in
$3,520
- Professional worldwide delivery, monitored by our logistics experts
- Shipping fees, duties and taxes are included in the price
- 30-day free returns (except made-to-order items)
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
- Price of an artwork defined by an artist.
- Insurance. Your order is 100% protected in case of any damage or loss.
- All customs fees, taxes, and document preparation.
- Third-party logistic provider shipping costs.
- A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Caitlin Schumacher
Germany
Artist highlights
- Works on commission
Discover the creation in interiors
Other artworks by Caitlin Schumacher
Artwork details
- Medium : Acrylic, Graphite on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 66.9x94.5in
About this artwork
body, mind and spirit feels like an underwater landscape, exploring water as both a psychological and spiritual place. The triptych format allows the work to unfold, inviting the viewer into an immersive, meditative field rather than a fixed image.
Water is both subject and method, it is the element I return to in order to feel whole, regulated, and alive in my body. I paint both like water and with water, with each layer of paint and the process… of washing the paint away again, reshaping the surface of the canvas and the paint. What remains is not controlled, but allowed.
Layers of peach, turquoise, teals, deep blues, and black move between shadow and light, evoking the quiet intensity of life beneath the surface. I cry easefully, love deeply, and paint as a way of opening to life - I am built close to water. When I paint, I dance with my brushes and sing love into the canvases with every stroke, allowing love to move through me as water moves through the earth.
Water is both subject and method, it is the element I return to in order to feel whole, regulated, and alive in my body. I paint both like water and with water, with each layer of paint and the process… of washing the paint away again, reshaping the surface of the canvas and the paint. What remains is not controlled, but allowed.
Layers of peach, turquoise, teals, deep blues, and black move between shadow and light, evoking the quiet intensity of life beneath the surface. I cry easefully, love deeply, and paint as a way of opening to life - I am built close to water. When I paint, I dance with my brushes and sing love into the canvases with every stroke, allowing love to move through me as water moves through the earth.
Caitlin Schumacher
Germany
Credentials
- Works on commission
Schumacher's practice embodies the beliefs she lives — that love is the life force creating all; everything fundamentally the same energy, infinitely expressed. She calls this Love In All Its Frequencies – LIAIF – indefinable by nature, always in service to love's evolution.
She enters each creative process with prayer and surrender, allowing her body to be the instrument through which LIAIF creates. Nothing is withheld. What moves through her body in the making is often unbearable. What arrives on the canvas is beauty. She has come to understand this as the meaning of alchemy: through allowing, lead becomes gold. In a world drowning in pain it cannot process, reason through, justify or repair, she offers this as a possibility – when we turn towards what is here, transformation naturally occurs.
Her paintings carry a Rorschach-like quality, every viewer seeing something different. In this way, the paintings remain alive, becoming uniquely personal in the eye of each beholder.
She enters each creative process with prayer and surrender, allowing her body to be the instrument through which LIAIF creates. Nothing is withheld. What moves through her body in the making is often unbearable. What arrives on the canvas is beauty. She has come to understand this as the meaning of alchemy: through allowing, lead becomes gold. In a world drowning in pain it cannot process, reason through, justify or repair, she offers this as a possibility – when we turn towards what is here, transformation naturally occurs.
Her paintings carry a Rorschach-like quality, every viewer seeing something different. In this way, the paintings remain alive, becoming uniquely personal in the eye of each beholder.
