De la serie EL LUGAR DE LA ESPERA.
Acrylic, Epoxy on Metal
69x98in
$20,670
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Carolina Ferrer Juan
Spain
Discover the creation in interiors
Other artworks by Carolina Ferrer Juan
Artwork details
- Medium : Acrylic, Epoxy on Metal
- Other details : Artwork on Dibond. Ready to hang. Framing on request.
- Dimensions : 72.8x98.4in
About this artwork
The place of waiting is an undefined, imprecise place, a place where time stops or passes very slowly.
It could be both postlude and prelude. It is the place of calm, of Pascalian stillness, of tranquility, but also of unease. The place of serenity, but also of disquiet, of disquiet. The place of bewilderment, but also of hopeful, promising longing… The place of waiting is the place of strangeness, but also of expectation. It is an indeterminate… place, the place of uncertainty, but also the landscape of possibility…
The place of waiting reflects a moment of transformation, of change, of moving... It is the space between what has just happened and what is about to happen. It is an interlude, an intermission, a space of extension, of suspension, a borderland, that line that separates the lost word from the promised word of which J. Derrida spoke.
It could be both postlude and prelude. It is the place of calm, of Pascalian stillness, of tranquility, but also of unease. The place of serenity, but also of disquiet, of disquiet. The place of bewilderment, but also of hopeful, promising longing… The place of waiting is the place of strangeness, but also of expectation. It is an indeterminate… place, the place of uncertainty, but also the landscape of possibility…
The place of waiting reflects a moment of transformation, of change, of moving... It is the space between what has just happened and what is about to happen. It is an interlude, an intermission, a space of extension, of suspension, a borderland, that line that separates the lost word from the promised word of which J. Derrida spoke.
Carolina Ferrer Juan
Spain
Carolina Ferrer is an artist with a long and distinguished career whose formal and thematic singularity sets her apart. Her pictorial world is suggestive and enigmatic in conception and impeccably executed. Her poetic spaces move wisely within the equidistant space between plastic intensity and semantic clarity. She employs bold fluorescent colors and almost monochromatic atmospheres that imbue her images with great power and expressiveness; and a singular use of light, in its maximum contrast, with extreme chiaroscuro. The artist shows a tendency towards large format, creating atmospheres with an air of unreality, producing a tone of mystery in her works, and achieving an emotional representation of space. The artist tells us: "My work is detached from the urgencies of our time. In my proposals, I contrast empty spaces, objects of hypnotic stillness, or silent figures with the clamor of the world and the overexcited society in which we live. And as an act of rebellion against it."
