Fragments of Day
Oil on Canvas
31x31in
$1,750
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Chantelle Stean
United Kingdom
Discover the creation in interiors
Other artworks by Chantelle Stean
Artwork details
- Medium : Oil on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 29.9x19.7in
About this artwork
This is not a painting about a place — it is a painting about the moment when light becomes so concentrated and so intense that everything around it surrenders to warmth. A single white source burns at the heart of the canvas, gold and amber radiating outward while deep blue holds the edges in check, the tension between the warmth at the centre and the cool at the margins giving the painting a quietly electric charge. For someone who understands…
that the most powerful thing in any landscape is never the landscape itself — it is always the light moving through it.
Chantelle Stean
United Kingdom
I am an oil painter based in the UK, working in oil on canvas. I returned to painting after a long break and found my way back through light — specifically that charged, fleeting quality at the horizon when the sky does something unexpected and the world becomes briefly more itself than usual.
My paintings are not records of specific places. They are emotional responses to atmospheric moments — the colour of a sky ten minutes before a storm, the way a low moon turns water briefly unbearable, the strip of gold at the horizon just before the sun disappears.
I build light in layers, using thin oil glazes that accumulate depth over time. I work with soft edges and a palette that prioritises emotional truth over literal accuracy. If the sky needs to be more purple, it is more purple.
My paintings are for people who have stood at the edge of the sea and felt something they couldn't quite name. I am trying to name it.
My paintings are not records of specific places. They are emotional responses to atmospheric moments — the colour of a sky ten minutes before a storm, the way a low moon turns water briefly unbearable, the strip of gold at the horizon just before the sun disappears.
I build light in layers, using thin oil glazes that accumulate depth over time. I work with soft edges and a palette that prioritises emotional truth over literal accuracy. If the sky needs to be more purple, it is more purple.
My paintings are for people who have stood at the edge of the sea and felt something they couldn't quite name. I am trying to name it.
