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The work reflects on conquest as a cyclical condition of human experience. Through a sequence of repeated gestures or actions, it represents humanity's constant drive to advance, confront obstacles, and pursue its goals. Conquest is not presented as an end point, but as a continuous process of attempt, failure, and renewed effort. Each stage suggests preparation, confrontation, and transformation, revealing that progress does not occur linearly,… but in cycles. In this sense, the work proposes that the true meaning of conquest lies not only in reaching a goal, but in persistence and the will to keep trying.
Cristóbal Corbeaux, a self-taught architect and artist, is a Master of Fine Arts student at the Royal College of Art, London. He excels in painting, drawing, sculpture, and printmaking. His style balances Renaissance and exploratory techniques, exploring the human figure using bronze, resin, and steel. He is interested in the hardness and permanence of the materials. The figure is placed in minimalist geometric environments, referencing the dreamlike and further contrasting the subject with the materials used. He is interested in emotions, the expression of the personal, but also the failures of representation and emotions that have become clichés. Corbeaux's works express the essence of humanity; they present a sensitive and fragile vision that seeks to remind the viewer of their own vulnerability.