Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
60x48in
About this artwork
Tectonic (What Remains) opens as a field of deep, immersive blue, quiet and expansive, drawing the eye inward.
Beneath that surface, the painting holds the aftermath of intensity, where something has passed but has not fully let go. What remains is unsettled, uneven, still present. What appears calm carries pressure beneath it, where traces of memory and emotion continue to press forward.
A matte rupture moves through the surface like a buried… fracture, partially exposed and partially absorbed. Layers of glazed and matte blue gather over it, quieting the break without erasing it. A small red spark persists, like an ember that refuses to disappear.
I hope the painting invites a moment of stillness, where what lingers is not forced away, but allowed to exist, even if it does not fully settle.
Danelle Sabathier is a painter based in Boulder, Colorado. She began her studies in fine art before pursuing International Affairs and living in Paris for eleven years. After returning to the United States, she stepped away from painting and later resumed her practice with renewed focus.
She works primarily in medium- and large-format acrylic compositions, exploring suppressed emotion, fracture, and resilience through charged fields of saturated color. Her practice centers on structure, color, and surface, developed through cycles of layering, glazing, interruption, and removal. The work holds emotional tension within a disciplined framework, examining what endures as forms are compressed, fractured, and partially erased.