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I paid some attention to the placement of the word on the image. I was careful not to disguise any identity. I hope those who see themselves will have as much fun as I did.” Visitors to the exhibit in 1991 at the Pacific Grove Arts Center were offered labels to libel themselves with as well, and most did. Some engaged by wearing multiple labels and seeing how they related to others they met was a playful interactive way for viewers to participate.… This title image is a portrait made for the Lighthouse for the Blind. The “red flag words” used were taken from “Synopsis of the Law of Libel and the Right of Privacy” by Bruce W. Sanford, Baker and Hostetler, publishers. Diana Mara Henry’s Libel project, comprising 99 photographs (twenty-seven of which are in the exhibit), was first created for Gustave Harrow’s course, “Art and the Law” at NYU.
Discover the newest artists on Singulart who joined our community in the last month. If you are looking for fresh artworks you’ve never seen before, this is the section to visit.
Photo editor of the Harvard Crimson. Her photography for private literary, social and fashion clients featured in Newsweek, Time, The Village Voice, Le Monde; in films including She's Beautiful When She's Angry; The Source; Everything is Copy; of NYC's Lower East Side Art Scene including Shadowman and Make Me Famous; the 1972 and 1976 National Democratic Conventions and the campaigns of Eugene McCarthy, McGovern, Lowenstein, Abzug, Holtzman, Vietnam Veterans Against the War, Ronald Reagan, Jimmy Carter and election night in Plains, GA in The Perfect Portfolio, Newsweek's Pictures of the Year; in plays: Gloria: A life; The Heidi Chronicles, Bella! Bella! Originator and Director of the Community Workshop Program at the International Center of Photography, NYC, taught black-and-white and Cibachrome photography there, 1975 - 1979. Founding VP and Director of Programs, the Alice Austen House, Staten Island. Official photographer for the First National Women's Conference.