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The austere beauty of religious icons has always moved me, as does the deep faith that they embody. Icon imagery is consistent down the ages, showing the attributes of saints and angels and recording their exploits against evil (I particularly like the female saint taking a hatchet to a startled looking devil) while still displaying the individuality of the artist. I also enjoy the surreal elements that the painters created, such as the hand holding… an object that both burns like fire and chills like ice. The lives of the icon painters exemplified dedication. This work is a tribute to their timeless labors.
As well as traditional images, the box includes a fake icon of one of my own "icons", Frida Kahlo. The painter’s hand is sculpted from clay, coated with wax. The crucifix is formed from her tools. The exterior of the box is heavenly blue, decorated with gold patterns on front, sides and top. On the back of the box is a bit of whimsy, God listening to the words of an angel.
Diane Keane is a mixed-media artist and painter with roots in Pittsburgh and a background spanning commercial art, papermaking, calligraphy, and medical illustration. She crafts assemblage boxes reminiscent of shrines or curiosity cabinets from found or fabricated objects, balancing realism and surrealism in her paintings to conjure extraordinary realities. Her work weaves personal narratives and social commentary, infusing irony amid themes of motherhood, womanhood, and environmental decline. Above all, her art beckons the viewer into mysterious, atmospheric worlds, sparking emotions that range from pleasure and intrigue to thoughtful discomfort and wonder.