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In this box I express my feelings about certain aspects of my Catholic childhood. This box is titled after the Confiteor, a Catholic prayer in which we admit our faults and ask forgiveness. I wrote the prayer in gothic blackletter on the front and inside the door of the box. The interior contains a Crucifix, candles and burnt matches. In the prayer, when the sinner reaches the line, “mea culpa, mea culpa, mea maxima culpa,” (“It’s my fault, it’s… my fault, it’s my most grievous fault!”), she strikes her breast 3 times. Accusatory English words echoing this action are written in red on each matchstick: “It’s your fault” and “It’s all your fault,” along with the mea culpas, all obsessively repeated.
The wooden box is papered it with Latin and German texts from prayer books, overlaid with thin paper with my calligraphy, all coated with acrylic medium for durability. The matches and candles are real, as is the Crucifix, which along with the box, I found in a German flea market.
Diane Keane is a mixed-media artist and painter with roots in Pittsburgh and a background spanning commercial art, papermaking, calligraphy, and medical illustration. She crafts assemblage boxes reminiscent of shrines or curiosity cabinets from found or fabricated objects, balancing realism and surrealism in her paintings to conjure extraordinary realities. Her work weaves personal narratives and social commentary, infusing irony amid themes of motherhood, womanhood, and environmental decline. Above all, her art beckons the viewer into mysterious, atmospheric worlds, sparking emotions that range from pleasure and intrigue to thoughtful discomfort and wonder.