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In this print entitled Madeleine, I wanted to capture the moment of a silent, inner recognition. The figure of Mary Magdalene, here depicted in three-quarter view, is pierced by a deep red light. It is the gaze that dominates: it does not narrate, it questions.
In the Gospels, Mary Magdalene is the first witness to the Risen One. A figure of fidelity, of presence, too often diminished by history. I wanted to restore her strength, her mystery, her… light. My work explores these ancient figures through a contemporary language: sober forms, vibrant tones, visible interiority. Magdalene is an invitation to look, to search, to let oneself be touched.
**Dominique Nugues** is a self-taught French artist whose work revolves around two main mediums: **digital printmaking (fine art giclée)** and **acrylic painting on canvas**. At the crossroads of tradition and contemporary tools, his approach is rooted in a pronounced **spiritual expressionism**. His background is in theatrical set design (1970–1987).
The **face** is central to his work. Portraits and human figures become sites of tension and revelation, where matter, color, and erasure seek to bring forth an inner presence rather than a mere resemblance. This exploration resonates with the writings of **Olivier Clément**, for whom the face remains a bearer of hope.
His work has been praised by critics. Between 2010 and 2019, he dedicated himself to the religious communities of the Annonciade, contributing to their development.