Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
In this work, I sought to approach the figure of Mary of Bethany as an inner presence, marked by listening and withdrawal. The face, traversed by chromatic tensions, reveals a concentrated gaze, turned less outward than toward a word received in silence.
The contrasts in color are not intended for decorative effect, but convey a profound sense of presence, where expectation, fidelity, and spiritual density intertwine. The figure is not depicted… in action, but in a state of inner receptivity, echoing the Gospel narratives that place it on the side of listening rather than speaking.
This giclée print accurately reproduces the material and chromatic vibrations of the original, allowing the work to retain its meditative power and expressive restraint.
**Dominique Nugues** is a self-taught French artist whose work revolves around two main mediums: **digital printmaking (fine art giclée)** and **acrylic painting on canvas**. At the crossroads of tradition and contemporary tools, his approach is rooted in a pronounced **spiritual expressionism**. His background is in theatrical set design (1970–1987).
The **face** is central to his work. Portraits and human figures become sites of tension and revelation, where matter, color, and erasure seek to bring forth an inner presence rather than a mere resemblance. This exploration resonates with the writings of **Olivier Clément**, for whom the face remains a bearer of hope.
His work has been praised by critics. Between 2010 and 2019, he dedicated himself to the religious communities of the Annonciade, contributing to their development.