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The Nose of God was born from a silent question: what if the divine didn't look down on us from above, but breathed with us?
The sculpture represents an incomplete and eroded profile, a fragile point through which air enters and life manifests itself unbidden. Contrary to the traditional idea of a God who observes or judges, here the divine inhales and exhales, inhabiting the smallest gesture that sustains existence.
The duality of materials reinforces… this vision: the white and organic evokes the ancestral and the corporeal, while the black and geometric structure introduces the rational and the human. Both coexist without dominating, like faith and reason in a necessary balance.
The Nose of God doesn't define the divine: it makes it intimate. The viewer doesn't feel observed, but rather shares the same air as the work, dissolving the boundary between the sacred and the everyday. The sculpture invites us to pause and remember that, perhaps, the divine resides in that invisible act we repeat daily: breathing.
Ernesto Zapata Urrutiabeascoa uses painting, sculpture, digital media, and visual techniques, drawing on his engineering background and intense artistic curiosity. He employs "layered sculpture," fusing two-dimensional and three-dimensional planes in layers that seek movement and perceptual transformation, combined with vibrant palettes and chromatic contrasts. His style highlights human and environmental challenges from new perspectives. His works convey provocative sensations that invite us to reconsider our perception of the environment, our history, and the future.