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Menstruation is born as an act of visibility and rupture. For centuries, menstrual blood has been hidden, silenced, or burdened with shame, associated with taboo, impurity, or discomfort. This work arises from the need to reclaim its rightful place: not as something to be hidden, but as a language of the body, a sign of life, transformation, and memory.
White represents structure, norms, and social control; red bursts forth as an inevitable and… honest gesture. It alludes not to wounds or violence, but to cycles, repetition, and the power of the female body. The material's porosity suggests a real, vulnerable, and living body.
Menstruation speaks to how the biological becomes social discourse, and how that which repeats itself every month has been rendered invisible. The porosity of the material suggests a body that breathes, that remembers, that is neither hermetic nor perfect. A real body.
Menstruation reminds us that to live is to bleed.
Ernesto Zapata Urrutiabeascoa uses painting, sculpture, digital media, and visual techniques, drawing on his engineering background and intense artistic curiosity. He employs "layered sculpture," fusing two-dimensional and three-dimensional planes in layers that seek movement and perceptual transformation, combined with vibrant palettes and chromatic contrasts. His style highlights human and environmental challenges from new perspectives. His works convey provocative sensations that invite us to reconsider our perception of the environment, our history, and the future.