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Esther Miranda
Spain
Artist highlights
- International Exposure
- Art Fair Participant
- Works on commission
Discover the creation in interiors
Artwork details
- Medium : Pen, India Ink on Paper
- Framing : Framing on request
- Dimensions : 19.7x25.6in
About this artwork
In this work the artist plays with the idea of domesticated nature. A young man, dressed as if to walk through the city, walks through a strange forest of plants that we do not know. He is not looking at the landscape, he is looking at his smartphone oblivious to his surroundings. This is how she considers that we sometimes go through things, without paying attention, without valuing the moment. It is a way of making us think about the importance…
of the present moment, about the need to stop and look at what surrounds us and those around us.
Esther Miranda
Spain
Credentials
- International Exposure
- Art Fair Participant
- Works on commission
« Beauty works like light through darkness, it shows us the way. I believe in the ethical function of aesthetics. »
Esther Miranda is a Spanish artist, with a degree in philosophy, who has studied painting with the teacher Jesus Rodriguez de la Torre. Since 2012 his works have been shown widely in Germany, in solo and group exhibitions, as well as in some of the most important art fairs in Europe.
His work is organized in series. The study of the person from different perspectives has always been one of the recurring points of his work, his ability to make the hidden, the essence, appear, gives his figures a disconcerting power. In all his work a game is established between figuration and abstraction, creating an illusion of reality from a strong and dynamic brushstroke.
His series about the sea, which he approaches from a subjective connection, manages to convey a universal sensation of movement, luminosity and power. Working on this topic arises from an ecological thought: the need to take care of our seas.
His work is organized in series. The study of the person from different perspectives has always been one of the recurring points of his work, his ability to make the hidden, the essence, appear, gives his figures a disconcerting power. In all his work a game is established between figuration and abstraction, creating an illusion of reality from a strong and dynamic brushstroke.
His series about the sea, which he approaches from a subjective connection, manages to convey a universal sensation of movement, luminosity and power. Working on this topic arises from an ecological thought: the need to take care of our seas.
