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In this work, I continue to investigate the materiality of the digital world and its capacity to generate new forms of perception. I work with geometric structures, optical distortions, and interfered patterns that emerge from the dialogue between control and chance. I am interested in how the surface becomes a field of tension: a space where information folds, is interrupted, and transforms into image.
Here, the composition seems to build and… disintegrate at the same time. Diagonal bands, metallic reflections, and chromatic fragments act as remnants of a technological language attempting to recompose itself after collapse. There is no linear narrative, but rather a discontinuous flow of visual energy, a constant vibration between the mechanical and the organic.
In this work, the glitch ceases to be a mistake and becomes a gesture: a way of thinking about aesthetics from the imperfection and instability of data.
Born in San Sebastián, Basque Country, Spain, 1950. He trained in Graphic Design, Typography, Architectural Drawing, and Photography. He also studied Corporate Image, Graphic Design Applied to Architecture, Signage, Branding, Illustration, Video, Film, and High-Definition Printing in Liverpool and London. He has received awards and recognition for his Graphic Design in Caracas, Sao Paulo, and Chicago. Since 2008, he has been interested in painting, developing surrealist works using different techniques and later moving on to large-format abstract painting. His technical and artistic knowledge leads him to Digital Art. His works have been exhibited in Barcelona, Berlin, Luxembourg, Caracas, Miami, Chicago, Belgium and can be found in Madrid, Barcelona, San Sebastián, Alicante, Liège, Namur, Brussels, Paris, San Diego, Miami, New York and Sydney. He's an artist of our time. He's traded brushes and paints for pixels.