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A landscape that doesn't describe but constructs. The Piedmont countryside becomes the pretext for an exploration of pictorial matter: color is applied thickly, modeled with physical energy, transformed into relief. Greens—from dark olive to acid yellow—overlap in layers that capture and reflect light differently from every angle.
The pink and blue sky that closes the composition at the top is the only element of calm in an otherwise dynamic pictorial… field. The brushstrokes don't follow the landscape—they generate it, invent it, take it beyond representation to something more essential.
A work that carries with it the vitality of an artist in the midst of his research.
Gastone Cecconello (Vercelli, 1942) is an Italian artist with over fifty years of activity. His research develops through painting, sculpture, and mixed media, constructing a coherent and recognizable language based on symbolism, matter, and the figure of the hominid as a metaphor for the human condition. His work explores the relationship between the archaic and the contemporary, between memory, myth, and everyday reality, maintaining a constant tension between formal rigor and expressive force. In 2013, the monograph Alle origini del mito, edited by Lorella Giudici, was published, critically retracing the artist's entire career.