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In this large-format canvas, Gastone Cecconello depicts a compressed and pigeonholed humanity, rendered with his unmistakable "stylized hominids." The dense, material red mass occupies the base of the composition, while above, a sky ablaze with incandescent red dominates, illuminated by a thin crescent moon.
The work evokes a landscape that is both internal and collective: humanity reduced to an indistinct crowd, exposed to the power of time and… nature. The full-bodied and vibrant pictorial material amplifies the emotional tension, between human fragility and cosmic immensity.
Gastone Cecconello (Vercelli, 1942) is an Italian artist with over fifty years of activity. His research develops through painting, sculpture, and mixed media, constructing a coherent and recognizable language based on symbolism, matter, and the figure of the hominid as a metaphor for the human condition. His work explores the relationship between the archaic and the contemporary, between memory, myth, and everyday reality, maintaining a constant tension between formal rigor and expressive force. In 2013, the monograph Alle origini del mito, edited by Lorella Giudici, was published, critically retracing the artist's entire career.