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Composed of a grid of vertical and horizontal rectangular panels, the work alternates textured surfaces, fabric rips, printed paper inserts, and layers of desaturated color—pinks, grays, and faded greens. Emerging from this fragmented and seemingly abstract order, a single panel stands out in the center, featuring the silhouette of a stylized "hominid," a key figure in Cecconello's poetics.
Themes and interpretation:
The work plays with repetition… and standardization, but introduces a visual and conceptual disruption: the uniqueness of the pink hominid that breaks the monotonous rhythm of the grid.
Here, Cecconello seems to be telling us that, in a world of modules, tiles, and imposed boundaries, individuality can still emerge. The hominid's pale color doesn't shout, but it stands out.
There is a sense of memory and consumption: worn materials, stitching, printed paper, as if to evoke fragments of stories, experiences, human traces.
Gastone Cecconello (Vercelli, 1942) is an Italian artist with over fifty years of activity. His research develops through painting, sculpture, and mixed media, constructing a coherent and recognizable language based on symbolism, matter, and the figure of the hominid as a metaphor for the human condition.
His work explores the relationship between the archaic and the contemporary, between memory, myth, and everyday reality, maintaining a constant tension between formal rigor and expressive force. In 2013, the monograph Alle origini del mito, edited by Lorella Giudici, was published, critically retracing the artist's entire career.