Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
The work features a geometric composition constructed with stylized human figures—Cecconello's "hominids"—sculpted in gilded plaster and arranged in a continuous sequence, forming closed and intersecting trajectories. These indistinct and serial bodies take on the appearance of a decorative chain or a repetitive mechanism.
The background is divided into three horizontal bands: white, gold, and black, treated in a material way, with intentional drips… and irregularities that contrast with the precision of the golden shape.
The work is a powerful reflection on the dehumanization of the individual, engulfed in a collective structure that turns him into a decorative element, a repetitive pattern, a symbolic mechanism. The hominids, devoid of faces and identities, bend to form geometric patterns, as if society had molded them according to an external, impersonal design.
Gastone Cecconello (Vercelli, 1942) is an Italian artist with over fifty years of activity. His research develops through painting, sculpture, and mixed media, constructing a coherent and recognizable language based on symbolism, matter, and the figure of the hominid as a metaphor for the human condition. His work explores the relationship between the archaic and the contemporary, between memory, myth, and everyday reality, maintaining a constant tension between formal rigor and expressive force. In 2013, the monograph Alle origini del mito, edited by Lorella Giudici, was published, critically retracing the artist's entire career.